Постер к "Delivery Man"

Where was Delivery Man filmed

Delivery Man

Year: 2013

Genre: Comedy, Drama

Country: USA

Delivery Man was filmed in New York in the United States of America.

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Locations

  • 111 East 48th Street

    In movie

    Scene where a practical base for story beats that require a polished, professional environment, such as meetings, arrivals, or tense conversations; the production can cover both exterior curb activity and interior lobby-style action without leaving the neighborhood.

    Real

    Scene was shot a Midtown Manhattan hotel address associated with a full-service property used frequently for business travel, offering controlled interiors and a clear street frontage for filming logistics. Its location near Park Avenue enables easy access to multiple nearby set-ups.

  • 3rd Avenue and East 56th Street

    In movie

    Scene where a street-level moment that fits routine city movement, with characters transitioning between sidewalks and traffic lanes typical of Midtown East; the setting reads as an ordinary workday environment, reinforcing the grounded tone of everyday errands and conversations.

    Real

    Scene was shot a well-known Midtown East intersection surrounded by offices, apartments, and steady vehicle flow, providing a realistic “working Manhattan” texture. The crosswalk geometry and typical curb space support quick setups for street dialogue or passing-car coverage.

  • Bethesda terrace

    In movie

    Scene where David enjoys the performance of one of his children

    Real

    Scene was shot Bethesda Terrace and Fountain overlook The Lake in New York City's Central Park. The fountain, with its Angel of the Waters statue, is located in the center of the terrace. Bethesda Terrace is on two levels, united by two grand staircases and a lesser one that passes under Terrace Drive. They provide passage southward to the Elkan Naumburg bandshell and The Mall at the center of the park. The upper terrace flanks the 72nd Street Cross Drive and the lower terrace provides a podium for viewing the Lake.

  • Brooklyn Heights Promenade

    In movie

    Scene where a scenic transition or conversation moment using a clear Manhattan backdrop, letting the production communicate scale and location without heavy exposition; the promenade’s viewpoint supports wide coverage as well as closer dialogue framing along the railing.

    Real

    Scene was shot an elevated pedestrian walkway in Brooklyn Heights with iconic views toward Lower Manhattan and the harbor, commonly used for skyline establishing shots. Its long straight path and railing create clean sightlines for filming while still being an active public space.

  • Christopher Street and 7th Avenue

    In movie

    Scene where a walk-and-talk style beat set in a tighter neighborhood grid, using the recognizable West Village look to support personal, low-key character interaction; the framing benefits from steady foot traffic and the mix of residential and retail streets.

    Real

    Scene was shot an intersection in Manhattan’s West Village near historic streetscapes, small storefronts, and active pedestrian life. The area’s distinctive neighborhood feel contrasts with Midtown and helps establish a more intimate, walkable New York environment on screen.

  • Madison Square Garden

    In movie

    Scene where the character moves through a busy Midtown block near a high-profile venue, allowing the production to stage a public-facing moment with pedestrians and background activity; a brief beat includes a featured young woman in the shot among the passing crowd.

    Real

    Scene was shot a major Manhattan sports and entertainment arena complex at 4 Pennsylvania Plaza, directly above Penn Station. Its constant foot traffic, security perimeters, and bright exterior signage make it a practical real-world backdrop for crowd-heavy street action in Midtown.

  • New York County Supreme Court

    In movie

    Scene where legal pressure is reinforced through exterior courthouse coverage, with characters entering or exiting a real civic building that signals serious consequences; the setting supports establishing shots, sidewalk exchanges, and the sense of a public dispute moving into court.

    Real

    Scene was shot the historic courthouse building in Lower Manhattan tied to major civil proceedings, immediately recognizable for its formal architecture and broad front steps. The address at 60 Centre Street provides a credible, real government setting for legal story developments.