Where was Gde nakhoditsya Nofelet? filmed
Gde nakhoditsya Nofelet?
Year: 1988
Country: Russia
<p>The film was shot in various picturesque Moscow locations, which became important plot elements. One of the key locations is 36 Malaya Bronnaya Street, home to the Linen Trading House, where the protagonist Pavel meets his parents and girlfriend. At 27/24 Spiridonovka Street, scenes involving bus journeys take place, highlighting the everyday life of Muscovites.<br /> At 17, Vspolny Pereulok, there's a bus stop where the heroes board public transport. Sadovaya-Triumfalnaya Street, 18-20, becomes the scene of Gennady's comic attempts to get to know girls. In the film's final scenes, the picturesque Kotelnicheskaya dike can be seen, adding to the romantic atmosphere. Important events also take place at 7 Tverskaya-Yamskaya Street 1, where key moments in the plot unfold. These locations not only serve as backdrops for events, but also reflect the atmosphere of Moscow in the late 1980s, making the film particularly memorable for audiences.</p>
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Locations
Paul's rendezvous point
In movie
Scene where "Pavel and his parents go out together. On the way, his parents actively discuss how important it is for Pavel to finally start a family, creating an atmosphere of tension and expectation. An uneasy Paul tries to hide his insecurity, while his parents express their hope for a successful date. When they arrive at Emma's apartment, the atmosphere becomes even more tense. Emma greets them with a disgruntled look and immediately starts asking awkward questions. During the appointment, she becomes short-tempered and irritable, leading to some awkward moments. Pavel tries to keep the conversation going, but his shyness only makes the situation worse. Pavel's parents try to cheer up their son, but their attempts seem comical in the face of Emma's irritability. In the end, the date is a failure: instead of a romantic atmosphere, it turns into a series of awkward moments and misunderstandings."
Real
Scene was shot “In Moscow, on Malaya Bronnaya Street, in the so-called “‘House of Flax Trade’.” This location was ideal for this scene as it symbolizes both the romantic and comic aspects of the search for love. Malaya Bronnaya is a street in the center of Moscow, which gives the scene the atmosphere of city life and emphasizes the contrast between Pavel's expectations and reality. The house, built in 1926, became a symbol of the hopes and disappointments of the protagonist, who feels pressure from his parents. Thus, the location not only sets the tone of the scene, but also reflects the overall theme of the movie - the search for love amidst social expectations and personal fears.”
Riverfront
In movie
Scene where “Gena and Pavel are walking along the embankment with two girls. At one point, the girls ask Gena what is in the bundle he is carrying. To show his carelessness and to impress them, Gena replies that it is nothing important, and defiantly throws the bundle into the water. A few seconds later, however, he remembers that the bundle contains his passport, money and other important documents, as well as his jacket (which he cares about the least). Realizing his mistake, Gena instantly strips down to his underwear and throws himself into the water to save what he himself has just thrown away. The girls and Pavel watch what is happening from the embankment, not hiding their surprise and laughter. Gena struggles to get the bundle out of the water and comes back wet, but satisfied that he has saved the documents. This scene emphasizes his impulsive nature and tendency to rash actions, which often lead to comical situations. ”
Real
Scene was shot “In Moscow on the 1st Kotelnicheskaya Embankment is a picturesque place on the left bank of the Moskva River, famous for its architecture and history. It became popular thanks to the apartment building on Kotelnicheskaya Embankment, which is one of the Stalinist high-rises and symbolizes the architectural style of that era. The choice of this location for filming the scene where Gena throws the package with the documents into the river is due to its atmosphere and significance. The embankment epitomizes the dynamics of city life and the contrast between the everyday concerns of the characters and unexpected turns of fate. When Gena throws the bundle into the water, this action emphasizes his recklessness and frivolous attitude towards important things. The Kotelnicheskaya embankment also symbolizes the moments of spontaneity and comicality characteristic of the film. It serves as a backdrop for plot development and character interaction, creating a unique atmosphere that helps the viewer feel the spirit of Moscow in the late 1980s. As a result, the location is not only visually beautiful, but also full of meaning, making it ideal for key scenes in the movie.”
Stopping at Paul's house
In movie
Scene where “Pavel walks to the bus stop, leaves his house and heads down the street, immersed in his thoughts. On the way, he takes a passing glance at the world around him: passers-by, cars and the usual details of city life. His steps are full of hesitation, and he feels the excitement of meeting a stranger growing in his chest. When Paul arrives at the bus stop, he observes the other passengers chatting among themselves, laughing and discussing something important. When the bus finally stops, Paul gets in, pulls out a newspaper and begins to look around inside. His heart shrinks when he sees a stranger sitting nearby with a book in her hands. He glances at her furtively, trying to remember her features. At that moment, she raises her head and meets his gaze, which causes Paul instant embarrassment. He turns away and looks nervously out the window, but the inner dialogue continues to torment him: he dreams of approaching her and talking to her.”
Real
Scene was shot “In Moscow on Vspolny Lane. This lane is located in the center of Moscow, in the vicinity of the Patriarch's Ponds, and symbolizes the everyday life of the townspeople, as well as the inner feelings of the protagonist. The choice of this place for the stage is conditioned by its characteristic atmosphere - the city bustle and Pavel's personal dreams intertwine here. The stop becomes a symbol of waiting not only for the bus, but also for changes in Pavel's life. He stands waiting, immersed in his thoughts about the stranger, which emphasizes his inner struggle between his desire to act and his fear of communication. Furthermore, the stop serves as a metaphor for finding love and overcoming his own fears. In this context, Vspolny Pereulok becomes not just a physical place, but a space where Paul confronts the reality of his life and his dreams of a romantic relationship. Thus, the scene at the bus stop reflects both the protagonist's personal experiences and the broader themes of love and loneliness in the big city.”