Where was Mayor filmed
Майор
Year: 2013
Country: Russia
<p>The film was shot in and around Novomichurinsk in the Ryazan region of Russia. These locations were chosen by director Yuri Bykov, who was born and raised in such a typical town, allowing him to create a realistic atmosphere of provincial Russia. Among the filming locations are paneled five-storey buildings and Ryazanskaya GRES, which symbolize the everyday life of the Russian provinces. Bykov chose these locations to show life outside the streets of Moscow, emphasizing the harshness and ordinariness of life in the province. Filming in Novomichurinsk allowed him to create an authentic environment that corresponds to the themes of the movie - corruption and social tension.</p>
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Locations
Gutorova's house
In movie
Scene where At Gutorova's house in the movie is key to understanding the development of the plot and the motives behind the actions of the main character, Major Sergei Sobolev. After Sobolev escapes from the care of his colleagues, he decides to go to rescue Gutorova, the mother of the dead boy, who is to be eliminated so that she does not become a witness in a corruption case. Sobolev gets Gutorova's address - Energetikov 41, apartment 84 - and goes there to protect her from those who want to silence her. This scene is filled with tension and a sense of urgency as Sobolev realizes that Gutorova's life is in danger because of his own actions and the corruption in the system.
Real
Scene was shot near Gutorova's house in the movie was chosen to create a realistic provincial town setting. Although the address in the movie is voiced as Energetikov 41, apartment 84, the scene was actually filmed near Energetikov Street, but the real address of the building where the action takes place is Komsomolskaya Street 12. The use of real filming locations adds authenticity to the movie and makes the scene more convincing.
Pankratov's house
In movie
Scene where Sobolev and Kroshunov come to see Pankratov, the head of the ROVD, who is interested in closing the case of the tragic incident. The head of the ROVD wants to protect Sobolev from punishment in order to preserve the reputation of his department and avoid “top-down” inspections that could uncover their corrupt schemes. The tension in the scene is caused by the internal conflict of Sobolev, who realizes his guilt and struggles with his moral principles. However, he also realizes that resisting the system could lead to serious consequences for him and his family. The scene is filled with dialogues that emphasize the corruption of the system and the moral dilemmas the characters face. The head of the ROVD and his colleagues use every possible method to convince Sobolev that hushing up the case is the best way out for everyone. This creates a contrast between Sobolev's personal experiences and the indifference of a system that is willing to sacrifice the truth to maintain its influence.
Real
Scene was shot in an expensive suburban that is perfect for an episode where there is an attempt to hush up the case of a tragic incident. This large brown brick-colored mansion symbolizes the status and power of the chief in the provincial town. The choice of this location emphasizes the contrast between the luxury of the chief and the harsh reality of life in the province, where corruption and lawlessness are commonplace. The house creates an atmosphere of isolation and security, which is important for the scene where the chief and his colleagues discuss how to hide the truth. This choice adds realism and authenticity to the movie, making the scene more convincing and resonating with the viewer. The house of the chief of the ROVD becomes a visual symbol of corruption and inequality before the law, which is a central theme of the film
Police Department
In movie
Scene where Major Sergei Sobolev comes to the department after a tragic incident with a boy. The atmosphere in the department is depressed and tense - the police officers are discussing what happened, but instead of showing sympathy, they start thinking about how to cover up the case and avoid consequences. Sobolev is in a state of internal conflict: he realizes his guilt and tries to find the right solution, but the pressure from his colleagues and the system makes him feel isolated. Meanwhile, his coworkers discuss how to use connections and influence to cover up the truth about the incident.
Real
Scene was shot The police station chosen for filming is ideally suited to convey the atmosphere of corruption and waste. It is a typical provincial police station, which reflects the reality of many Russian cities, where the law enforcement system is often at the center of scandals and forgery. Filming in such a place allows us to create a contrast between the inner feelings of the main character, Major Sobolev, and the indifference of his colleagues. The department serves as a symbol of a system that protects its own while ignoring human lives. The choice of this location emphasizes the film's themes of moral choice and the consequences of corruption, making the scene more convincing and resonating with the viewer.