Where was The Soloist filmed
The Soloist
Year: 2009
Genre: Drama
Country: USA
<p>The movie is based on the true story of Nathaniel Ayers, a talented musician who developed schizophrenia and ended up on the street. The budget of the movie was 60 million dollars - twice as much as Wright's previous work “Atonement”. Filming began in January 2008 and took place mostly in Los Angeles, with some scenes shot in Cleveland. As location manager Kokayi Ampa noted, “the dance between the daytime and nighttime realities of life on the streets of downtown Los Angeles resembles a complex ballet.” In exploring locations in downtown Los Angeles that could serve as visual replacements for the Skid Row neighborhood, Kokayi noted one important detail: as store owners remove the metal security shutters and leave, homeless people begin to occupy these spaces, forming their own marketplace.</p>
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Locations
Area
In movie
Scene where Los Angeles Times reporter Steve Lopez hears an amazingly beautiful violin playing in a city square. As he gets closer, he meets the street musician, Nathaniel Ayers, a homeless man suffering from schizophrenia.
Real
Scene was shot in downtown Los Angeles' Pershing Square, one of the city's oldest squares, surrounded by modern buildings, restaurants and a subway station directly across the street. On the Hill Street side of the plaza is a bronze monument to Ludwig van Beethoven. The sculpture is slightly larger than a man's height: the composer is portrayed in a characteristic manner - disheveled hair, carelessly worn vest, one of the buttons missing. His gaze is directed toward the corner of 5th and Olive, but his eyes are downcast, as if he is deep in thought or even concerned.
Concert Hall
In movie
Scene where Steve and Nathaniel rush to the concert hall and roll a cart loaded with things in front of them. Among the old and seemingly unnecessary items are several musical instruments. They walk inside, out of breath, and for a moment they are struck by the grandeur of the hall, its scale and acoustics.
Real
Scene was shot at the Walt Disney Concert Hall, one of the most recognizable architectural structures in Los Angeles, which is located in the heart of the city. This building is home to the Los Angeles Philharmonic. The project was designed by the famous architect Frank Gehry, known for his futuristic forms. The building stands out for its distinctive stainless steel cladding and unique acoustics, designed in collaboration with Japanese sound engineer Yasuhisa Toyota. The interior of the auditorium accommodates more than 2,000 spectators, while creating a sense of intimacy and proximity to the stage. Due to its architecture and cultural significance, the Disney Concert Hall has become not only an important music venue, but also a popular location for filming movie and television projects.
Highway
In movie
Scene where Steve Lopez finds Nathaniel Ayers by the side of the highway, where he is playing the violin again, trying to catch the sound of Beethoven's elusive notes. Lopez tries to talk to him and explain that he would like to write an article about him, but the conversation does not work out - Ayers refuses to talk, immersed in music and his thoughts.
Real
Scene was shot on the Grand Loop in Los Angeles. It is one of downtown's multi-level streets, located below the main level of Grand Avenue. It passes under major traffic arteries and is known for its industrial atmosphere: concrete walls, massive columns, subdued lighting and resonant sound from passing cars create a gloomy, urban mood.
Newspaper editorial board
In movie
Scene where Steve meets Nathaniel outside the newsroom. He asks if the man needs anything. Nathaniel replies with a smile, saying that the man doesn't really need much - he has everything with him. He shows the water pistol as proof.
Real
Scene was shot outside the Los Angeles Times building. It is a historic office complex located in downtown Los Angeles at 202 West First Street. It occupies an entire block between Broadway and Spring Streets. The building is known for its Art Deco architecture designed by architect Gordon Kaufman. Its facade is adorned with bas-reliefs and sculptural elements reflecting themes of progress, technology and printing. Since its opening in 1935, the building has served as the main office of the Los Angeles Times.