Where was Working Girl filmed
Working Girl
Year: 1988
Country: USA
<p>“The movie directed by Mike Nichols was a landmark work reflecting the spirit of New York City in the late 1980s. Filming took place in New York City in various locations in Manhattan and Staten Island, the same place where the action of the movie unfolds. The plot revolves around Tess McGill, an ambitious secretary trying to make her way in the business world. At the time of its release, the movie was not just a career comedy, but a reflection of the changes in society related to women's rights in business. The choice of locations emphasizes the key themes of the film: ambition, the struggle for equality, and the drive to succeed in the business world.</p> <p>The Staten Island Ferry scenes are a metaphor for Tess's journey to her dreams: the ferry symbolizes not only the physical journey between neighborhoods, but also the heroine's aspirations for career growth and independence. The lobby of 7 World Trade Center was used to film the elevator lobby scenes where Tess interacts with her colleagues. This building had iconic status in New York City before it was destroyed in the September 11, 2001 attacks. The offices at 1 New York Plaza served as the backdrop for Tess's secretarial pool. The trading floor, where the traders' scenes took place, was on the 46th floor of the LF Rothschild building at 55 Water Street. This location symbolizes Tess's ambition and drive to make her way in the world of finance, as well as the importance of teamwork in business. South Street Seaport and Ocean Yacht Club add elements of luxury and status to the story, showing how success can change a person's life. These locations serve as the backdrop for important interactions between characters and show the social aspects of their lives.”</p>
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Locations
Ferry
In movie
Scene where Tess McGill sails from Staten Island to Manhattan with her friends. Tess McGill is a 30-year-old ambitious woman who works as a secretary on Wall Street. Before work, she “celebrates” her birthday by blowing out a candle on a small cake during a ferry ride with her friends. Tess has a remarkable mind and determination to make her way in the male-dominated business world. Despite her abilities and her night school education in economics, Tess is stuck in a subordinate role and faces bias from her colleagues.
Real
Scene was shot on the Staten Island Ferry. A passenger ferry whose ships make regular trips between the New York City boroughs of Manhattan and Staten Island. During the free ride, passengers have the opportunity to observe magnificent views of the Statue of Liberty and the panorama of Lower Manhattan. The appearance of the Staten Island Ferry in the movie “Businesswoman” symbolizes Tess McGill's journey to her dreams and career ambitions: a girl moves from her poor neighborhood to Manhattan, where she wants to build a successful career in business. The ferry ride, on the one hand, is a metaphor for her desire for independence and success in the business world, and on the other hand, trivializes the daily life of thousands of New Yorkers who use this transport to move between the boroughs of the city.
Katherine's house
In movie
Scene where Tess comes to Catherine's apartment on her errand. Katherine Parker breaks her leg and asks Tess to run a few errands around the house, including organizing the cleaning and dry cleaning of her elegant apartment. Tess arrives at the apartment and is amazed at its splendor; she imagines herself as the mistress of these apartments. While there, Tess accidentally discovers documents that clearly show Catherine's intention to steal Tess's business idea. This discovery becomes a key moment in the plot, as it forces the heroine to act on her own and use her skills to realize this idea, which ultimately leads to conflict with Katherine.
Real
Scene was shot at the apartments at 80 Irving Place and East 19th Street in Manhattan. The Gramercy neighborhood where they are located is known for its historic architecture, beautiful parks and Old New York atmosphere. 80 Irving Place is a red-brick Italianate home built in 1854. The apartments in this house are perfect for Katherine's character because of its sophisticated interior, which reflects her high social status and successful business career. The location provides a strong contrast to Tess's more modest life and emphasizes Katherine's ambitions as a successful woman in the world of high finance. In addition, the location in a prestigious neighborhood makes this apartment a symbol of success and status, which is in keeping with Catherine's image as an influential figure in the corporate environment.
Restaurant in the harbor
In movie
Scene where Tess shows up for a business meeting with Jack. Tess has set up a meeting with Jack Trainer to present him with her business idea that Katherine is going to steal from her. She hopes that Jack, as a high profile manager, will be able to evaluate her proposal and help her advance her career. However, the meeting turns out in an unexpected way: at a business banquet Jack tries to meet Tess, not realizing that she is the employee who made the appointment for him. Tess also doesn't realize that the man who shows her attention is Jack. Eventually, due to a combination of alcohol and sedation, Tess passes out. Jack, not knowing who she is, helps her and takes her to his house. In the morning, Tess wakes up in his apartment and leaves, believing she has spent the night with a stranger.
Real
Scene was shot at the South Street Seaport Bar. In the 19th century, this place was an important trading port, linking New York to the world's trade routes. Today, South Street Seaport serves not only as a port, but is also a modern urban space with restaurants, bars, and stores. It is also home to the South Street Seaport Museum, preserving the rich history of the neighborhood. Since the film's release, the South Street Seaport has been rebuilt and undergone a renovation: the harbor building was made of glass, and at night it adorns the city with its bright illumination. This historical location became an embellishment of the film and brought visual diversity to it, diluting the “office” jungle with shots of the port and bar view windows.